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По этой же причине в Приложении III "Хазарская переписка" мы приводим полный перевод пространной редакции ответного письма хазарского царя Иосифа (изданной П. К...
Кестлер Артур (Artur Koestler)
«Тринадцатое колено. Крушение империи хазар и ее наследие»
Is that clear?" "Quite clear." "Then be ready—I'm going to say good-bye...
Агата Кристи
«Secret Adversary»
что столь неожиданную отмену должности члена совестного суда по новой конституции считаю, черт возьми, мерой преждевременной: ведь я рассчитывал пожизненно полу..
Герман Мелвилл (Herman Melville)
«Писец Бартлби»
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«Big Sur» Желаем Вам приятного чтения (Страниц: 140) Также вы можете получить: |
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... But I will allow that the critic who has
not a practical knowledge of technique is seldom able to say
anything on the subject of real value, and my ignorance of
painting is extreme. Fortunately, there is no need for me to
risk the adventure, since my friend, Mr. Edward Leggatt, an
able writer as well as an admirable painter, has exhaustively
discussed Charles Strickland's work in a little book[1] which
is a charming example of a style, for the most part, less
happily cultivated in England than in France.
[1] "A Modern Artist: Notes on the Work of Charles
Strickland," by Edward Leggatt, A.R.H.A. Martin Secker, 1917.
Maurice Huret in his famous article gave an outline of Charles
Strickland's life which was well calculated to whet the
appetites of the inquiring. With his disinterested passion
for art, he had a real desire to call the attention of the
wise to a talent which was in the highest degree original;
but he was too good a journalist to be unaware that the "human
interest" would enable him more easily to effect his purpose.
And when such as had come in contact with Strickland in the
past, writers who had known him in London, painters who had
met him in the cafes of Montmartre, discovered to their
amazement that where they had seen but an unsuccessful artist,
like another, authentic genius had rubbed shoulders with them
there began to appear in the magazines of France and America a
succession of articles, the reminiscences of one, the
appreciation of another, which added to Strickland's
notoriety, and fed without satisfying the curiosity of
the public. The subject was grateful, and the industrious
Weitbrecht-Rotholz in his imposing monograph[2] has been able
to give a remarkable list of authorities.
[2] "Karl Strickland: sein Leben und seine Kunst," by Hugo
Weitbrecht-Rotholz, Ph.D. Schwingel und Hanisch. Leipzig, 1914.
The faculty for myth is innate in the human race...
Уильям Сомерсет Моэм (William Somerset Maugham)
«The Moon and Sixpence»
ресурс http://www.keruak.ru/
